戻る
Kajika
メイン
Oguna
メイン
The Phoenix
サブ
Masao Maruyama
プロデューサー
Rintarou
プロデューサー
Toshio Hirata
監督
Tomoko Konparu
脚本
Hideo Takayashiki
脚本
Morio Asaka
Hiroyuki Horiuchi
動画
Kinichi Ishikawa
Jirou Kanai
原画
Takeshi Koike
動画

火の鳥・ヤマト編
#8,891ランキング
- Drama
- Historical
あらすじ
At his father's command, Oguna, the youngest prince of Yamato, sets out to kill Takeru Kawakami, the leader of Kumaso. However, upon arriving in Kumaso territory, he is injured by the stray arrow of a young local woman named Kajika who is hunting game. Eager to compensate for the terrible mistake, she escorts Oguna to her village to treat his wound. But as the two rapidly fall in love, the prince makes a disturbing discovery: Kajika is Takeru's younger sister!
Conflicted between his newfound love and family duty, Oguna seeks advice from the Phoenix, a legendary immortal bird that serves as Kumaso's guardian. Compelled to make a decision, will the Yamato prince betray his own for the woman he loves, or will he murder Kajika's brother as commissioned?
Inspired by the Yamato Takeru Japanese legend, Hi no Tori: Yamato-hen chronicles the tragic story of an ill-fated couple, showing how true love can conquer hate and adversity even among the greatest of uncertainties.
(Source: MAL)
Conflicted between his newfound love and family duty, Oguna seeks advice from the Phoenix, a legendary immortal bird that serves as Kumaso's guardian. Compelled to make a decision, will the Yamato prince betray his own for the woman he loves, or will he murder Kajika's brother as commissioned?
Inspired by the Yamato Takeru Japanese legend, Hi no Tori: Yamato-hen chronicles the tragic story of an ill-fated couple, showing how true love can conquer hate and adversity even among the greatest of uncertainties.
(Source: MAL)
背景
Hi no Tori: Yamato-hen, the second of the three 1980s anime adaptations of Osamu Tezuka's Hi no Tori, refers to the manga's third chapter, "Yamato-hen." The story is inspired by the 14th century Japanese legend of Yamato Takeru, prince of the Yamato dynasty. While unfamiliar in the west, this legend has been described by anthropologist C. Scott Littleton as "Arthurian" due to some structural similarities with King Arthur's legend. Furthermore, despite the geographical distance, it appears that both Yamato Takeru and King Arthur originate from analogous time periods.
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