Retour
Masaru Katou
Principal
Kei Kishimoto
Principal
Kei Kurono
Principal
Giichi Furuta
Secondaire
Gantz
Secondaire
Masanobu Hojo
Secondaire
Shunichi Ike
Secondaire
Jay Jay
Secondaire
Ryuuji Kajiura
Secondaire
Mika Kanda
Secondaire
Ichirou Itano
Réalisateur, Storyboard
Akira Nishimori
Storyboard
Shingo Suzuki
Storyboard, Directeur de l’animation, Animation clé
Takahiro Tanaka
Storyboard, Directeur de l’animation, Animation clé
Sunaga Tsukasa
Storyboard
Bonnie Pink
Interprétation du thème
Rip Slyme
Interprétation du thème
Rodrigo Andreatto
Directeur de doublage
Takaaki Fukuyo
Directeur de l’animation
Matt Greenfield
Directeur de doublage
Gantz: Second Stage
#25,146Classement
- Action
- Drama
- Horror
- Sci-Fi
- Suspense
- Gore
- High Stakes Game
- Psychological
- Survival
- Seinen
Synopsis
Despite having seemingly returned to their normal lives, Kei Kurono, Masaru Katou, and Kei Kishimoto are forced back into the lethal game after Gantz's recent activity. The black sphere continues to summon recently deceased people to fight alien invaders. And having survived the two previous encounters, the trio are more than prepared for the upcoming missions.
As they progress through the tournament's stages, the three proceed in their attempt to earn 100 points, which is said to be the only way to leave the parallel dimension for good. However, with the constant onslaught of alien invaders and the threat of imminent death, they must first focus on the task at hand—immediate survival.
(Source: MAL)
As they progress through the tournament's stages, the three proceed in their attempt to earn 100 points, which is said to be the only way to leave the parallel dimension for good. However, with the constant onslaught of alien invaders and the threat of imminent death, they must first focus on the task at hand—immediate survival.
(Source: MAL)
Contexte
Due to the ongoing serialization of the manga during the anime's production, Gantz 2nd Stage diverts from the manga's plotline midway and features an original ending.
Personnages
Équipe
