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Ariel
Principal
Maquia
Principal
Baiera Ou
Secondaire
Barlow
Secondaire
Darel
Secondaire
Deol
Secondaire
Dita
Secondaire
Eido
Secondaire
Hazel
Secondaire
Hyke
Secondaire
Eiichiro Oda
Producteur
Kenji Horikawa
Producteur, Planification
Tomomi Kyoutani
Producteur
Nobuhiro Takenaka
Producteur
Mari Okada
Réalisateur, Script, Storyboard
Kazuhiro Wakabayashi
Directeur du son
Masakazu Hashimoto
Réalisateur d’épisode
Jong Heo
Réalisateur d’épisode
Tadashi Hiramatsu
Réalisateur d’épisode, Storyboard, Animation clé, Directeur de l’animation, Character design
Tatsuyuki Nagai
Réalisateur d’épisode
Manga
Maquia: When the Promised Flower Blooms
Volumes

Maquia: When the Promised Flower Blooms
#27,440Classement
- Drama
- Fantasy
Synopsis
Maquia is a member of a special race called the Iorph—mystical beings who can live for hundreds of years and remain separate from the lives and daily troubles of mankind. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief.
One day however, the outside world finds her, as the power-hungry kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality of the Iorph to his bloodline.
The humans and their Renato ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato that has gone berserk. It soon dies, and she is left deserted in a forest far from home, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her, or how to live with the smoldering loneliness inside, she is determined to make it all work somehow.
(Source: MAL)
One day however, the outside world finds her, as the power-hungry kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality of the Iorph to his bloodline.
The humans and their Renato ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato that has gone berserk. It soon dies, and she is left deserted in a forest far from home, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her, or how to live with the smoldering loneliness inside, she is determined to make it all work somehow.
(Source: MAL)
Contexte
Sayonara no Asa ni Yakusoku no Hana wo Kazarou, abbreviated as SayoAsa, is the directorial debut of screenwriter Mari Okada. Outside of Japan, the film made its international premiere at the 2018 Glasgow Film Festival. It went on to receive the Golden Goblet Award for Best Animation Film at the 21st Shanghai International Film Festival, and was named Best Feature Length Film in the Fantastic Discovery section at the 51st Sitges Film Festival. The film has earned more than 350 million yen in domestic box office revenues.
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